Wednesday, 21 March 2012

16.1.1 ( Editors Profile)


Being an editor can be a very difficult job, for it requires a highly creative mind and a fast paced worker for they are mostly put under pressure. Editor’s work very long hours in the cutting room or edit suite, where they have to create a storyline out of shots that have been given to them. Editors have to select the best takes and edit them together to create scenes. Before this even happens the editor works closely with the director before shooting begins. Both the editor and director work as a team to decide how to maximize the potential screenplay.  

Directors really depend on editors, for the most important thing about a movie is making sure that you grab the audience attention and this is where the editor comes in. Editors are one of the key heads on feature films and work on range of productions.Editors check the technical standards, as well as the developing sense of story, and the actors' performances. Because the scenes are shot and edited out of sequence, Editors may need to work on scenes from the end of the film before, instead of the shots at the beginning. So editors must be able to maintain a good sense of how the story is unfolding.

To be editor you need essential knowledge and skills such as:  a wide experience of the pro production process, to be able to use a variety of computer editing equipment, a degree in technical aptitude and to understand dramatic storytelling and be able to create rhythm, pace and tension. The key skills needed are:

The ability to be creative under pressure,

Excellent communication and interpersonal skills,

Ability to lead a team,

Imagination and an understanding of narrative and patience,
Attention to detail and good organizational skills.






Wednesday, 14 March 2012

16.1.1


Introduction to editing


Editing is when the editor selects a variety of different shots to tell a story.

Elliptical editing allows the viewer to fill in the gaps of what is happening, it helps to move the story on more quickly. This saves more time on screen.

Long shots are used to create wide shots from a distance this can include the character and other things such as landscapes and the background.


Non-diagetic sound is used to add tension and suspense to a scene. The sound that has been added is not actually being played on the set. The actor/actress cannot hear this however the audience watching can.

When watching the short film, we know that the lady is bending down, for they focused the shot of the ring and her reaching for this object. This makes the viewer believe that she is bending down without us actually seeing her do this. The editor uses cutting scenes so that it does not look like the previous shot before.


Overhead establishing shot is achieved by, the director setting out the space where action will take space and the position of the characters. Even though they’re not always all in the same shot. We do know they are having a conversation. It also allows the viewer to get a clear idea of what the film maybe about and their location, by doing this the audience will not be confused.


Shot-reverse –shot- is when the camera cuts back and forth between the two characters, which makes us assume that they are looking at and talking to each other.





Eye-line matching is when the character standing up looks’ off screen and down and the other character sitting down looks’ off screen. From the angle of their eyes it makes the audience think that they are both looking at each other.

We cut to the other members of the group, so that the viewer can see the other characters faces and their reaction, to what the character is saying. This can be individually or two shots.


A wipe is a transition used to move the action to a different location and time.


The effect of using quick cuts is that it creates a fast rhythm, which keeps the story moving along and the audience engaged.

Editing can build tension by making the shots shorter and more frequent.

Crosscutting is the frequency of shots used and the different shot angles from long shot to close up shots.




Reaction shot- Is a technique that is used to make the audience feel the tension by showing the main character but switching to another characters reaction, to what the main character is doing. This creates drama to viewers and makes them wonder what is going to happen next.  

Seamless editing- Is the opposite to elliptical editing for instead of allowing the viewers to fill in the gaps of what is going to happen next, seamless editing shows us exactly what is happening on the screen instead of what is being implied. This keeps the audience engaged, for we don’t have any time to fill in the gaps ourselves.

Jump cut is a technique to expose rather than hide the edit being made. It lets the audience in on the film making process. A jump cut is also used as a deliberate joke.

Flashbacks take the audience from one point in time to another. It also highlights a key moment or period in the characters’ life, which explains how they got to where they are now. By using flashbacks in a film it adds extra depth and meaning to a storyline.


Editing can be used poetically by purposely selecting the shots next to each other in order to make us think about the connection between them.






When watching the film ‘The Gloaming’, I noticed a lot of editing skills that I had just learnt about today. The first technique that I came across was the flashbacks; this helped me to understand the storyline more clearly and kept me intrigued to find out what will happen next. I also spotted another technique, called the wipe, which a transition used to move the scene to another location.  I thought this was a useful technique for it didn’t drag on the story like some films do. About 59 seconds into the film we see another editing skill called the shot reverse shot; this shot was used in a scene between the woman and the man. Even though I did not see them together in the same shot, this technique gave me an idea that they are communicating with each other.  In most parts of the film they have used non- diagetic sound, which creates a mood or feeling, this can also tell the story too. The editor has also used a lot of quick cuts, which created a fast rhythm to the story and kept me engaged.




Tuesday, 13 March 2012

Health and safety

Photogram






These two shots were achieved by light exposure from outside. Me and my group chose 3 to 4 items and placed them on the blue paper. We waited for about a couple of minutes and then removed the objects  and went inside.The next step was to dip the blue paper in some water, after doing this we left the paper to hang for a minute to dry. It then started to form all the objects which were placed on the paper before, leaving some of the paper blue and some white. The places where the paper was turned white had no light being exposed. The blue bits on the paper became darker, this was were the light had been exposed. Areas which had some partial light - were a light blue colour eg shadows and translucent objects.